11/19/2008
One Piece
Sumber : http://www.shonenjump.com
Tinju
Tinju adalah olahraga dan seni bela diri di mana dua orang partisipan dengan berat yang serupa bertanding satu sama lain dengan menggunakan tinju mereka dalam rangkaian pertandingan berinterval satu atau tiga menit yang disebut "ronde". Baik dalam Olimpiade ataupun olahraga profesional, kedua petarung (disebut petinju) menghindari pukulan lawan mereka sambil berupaya mendaratkan pukulan mereka sendiri ke lawannya.
Nilai diberikan untuk pukulan yang bersih dan mantap ke bagian depan pinggang ke atas yang sah dari lawan, dengan pukulan ke kepala dan dada mendapat nilai lebih. Petinju dengan nilai yang lebih tinggi setelah sejumlah ronde yang direncanakan akan dinyatakan sebagai pemenang. Kemenangan juga dapat dicapai jika lawan dipukul jatuh dan tidak dapat bangkit sampai hitungan kesepuluh dari wasit (suatu Knockout, atau KO) atau jika lawan dinyatakan tidak mampu melanjutkan pertandingan (suatu Technical Knockout, atau TKO). Untuk keperluan rekor pertandingan, TKO dihitung sebagai KO.
Sumber : http://tinjudunia.com
Avenged Sevenfold
Avenged Sevenfold is an American hard rock band formed in Huntington Beach, California. The band has achieved mainstream success with their 2005 album City of Evil, which included singles such as " Burn It Down", "Bat Country," "Beast and the Harlot" and "Seize the Day." The band's success followed with their self-titled album, with singles such as "Critical Acclaim" "Almost Easy", " Afterlife", "Dear God", and "Scream".
Sumber : http://en.wikipedia.org/wiki/Avenged_Sevenfold
Graffiti Hip-Hop
expression by political activists, and also by gangs such as the Savage Skulls, La Familia, and Savage Nomads to mark territory. Towards the end of the 1960s, the signatures—tags—of Philadelphia graffiti writers Top Cat,[8] Cool Earl and Cornbread started to appear.[9] Around 1970-71, the centre of graffiti innovation moved to New York City where writers following in the wake of TAKI 183 and Tracy 168 would add their street number to their nickname, "bomb" a train with their work, and let the subway take it—and their fame, if it was impressive, or simply pervasive, enough—"all city". Bubble lettering held sway initially among writers from the Bronx, though the elaborate writing Tracy 168 dubbed "wildstyle" would come to define the art.[8][10] The early trendsetters were joined in the 70s by artists like Dondi, Futura 2000, Daze, Blade, Lee, Zephyr, Rammellzee, Crash, Kel, NOC 167 and Lady Pink.[8]
The relationship between graffiti and hip hop culture arises both from early graffiti artists practicing other aspects of hip hop, and its being practiced in areas where other elements of hip hop were evolving as art forms. By the mid-eighties, the form would move from the street to the art world. Jean-Michel Basquiat would abandon his SAMO tag for art galleries, and even street art's connections to hip hop would loosen. Occasional hip hop paeans to graffiti could still be heard throughout the nineties, however, in tracks like the Artifacts' "Wrong Side of Da Tracks" (Between a Rock and a Hard Place, Big Beat, 1994) and Company Flow's "Lune TNS" (Funcrusher Plus, Rawkus, 1997).